An episode entirely dedicated to punk rock in the style of Ramone and The Queers with four releases by Monster Zero Records, which was founded in 2009 in the Netherlands in Lekkerkek and then moved to Innsbruck in Austria.
“4 10′ is a very meditative and introspective record, opening up worlds within us, with a timbre that is very old in its essence, and each track is a story in itself, with a life of its own and a breath of its own.
The Queen Is Dead Volume 95 – Ananda Mida\Dusk\Dopelord: Ananda Mida is an Italian musical creature that floats free in the sonic cosmos and sometimes releases a few accounts of its journeys on phonographic supports such as this ‘Reconcilier’
Sextile, Belau, Electric Six: sextile’s first record for Sacred Bones, after two albums for Felte. The record is titled “Push” and is an incredible coherent blend of many divseri genres, united by talent and originality.
This episode number 94 of our column will be a journey that will start with the classic power metal of Germany’s Primal Fear, continuing with the prog metal of Oblivion Protocol, to end with the heavy prog of Lark from Poland.
The self-titled album “Jinksie” by the band Jinksie is a musical odyssey that takes listeners on a genre-bending journey through a rich tapestry of soundscapes.
Iries in Roots meets Alpha & Omega – The signs: A reissue of one of the most important records for dub of the last thirty years.
Chicago-based artist Axis:Sova continues to push the boundaries of sonic exploration with their upcoming album “Blinded by Oblivion.” Set to be released soon, this highly anticipated album showcases Axis:Sova’s distinctive blend of psychedelic rock, garage punk, and experimental soundscapes.
The Queen Is Dead Volume 93: Anika and Yelka. We remain in fertile Berlin while changing musical coordinates, with a very prolific band like Yelka with their new ‘1976’ for Fun In The Church.
“Cougs,” the latest album by the band Cougar, offers a captivating journey through a musical landscape that seamlessly blends genres and emotions.
