In Your Eyes ezine we are a group of passionate creatives who believe in the power of DIY in music, art, books, and film. We pour our hearts and souls into every piece of content we create, striving to inspire and connect with our readers on a deep emotional level.
For this ninety-second volume of The Queen Is Dead we are going to listen to the last three releases of the English Peaceville Records, always a reference for extreme music lovers. Ruim, Sigh, Static Abyss.
Vincenzo Pizzi is a sound explorer of the future who comes from planet Earth but wants to go far beyond our borders. Plaster is the stage name of Gianclaudio Hashem Moniri, a half-Italian, half-Iranian audiovisual producer.
The songs are all of long duration and are very well composed, and in all of them you can breathe that beautiful, typically British gothic air, with those very special melodies that Wolves In Winter make their own and make them sound very good.
Delerium: Is it possible to make electronic music with many ambient influences and with the direction of the sky above?
Psyclone Nine, Rainbow Bridge, The Modern Age Slavery, Heezer…. The Queen Is Dead Volume 90… The most ambitious work of their career, a record we had never heard in Italy, full of very good things.
Dødheimsgard: “Black medium current’ is an endless discovery, a subtle pleasure, the stone we have been dragging around our necks since birth and much, much more, the work of a band that is truly of another level, of a very high level.
The whole Heart of Silence is a tribute to Nature as it used to be, and to the wild but wise man, totally different from today’s man, immersed in a Nature that was hostile but taught him much.
Few have succeeded in this difficult task, but there is one sound that was born to describe what is happening, and that is techno. Niclas Erlandsson comes from Sweden and releases his ‘Väsen EP’ on Berlin-based Antimodus.
Hannah Jadagu represents the future of pop, putting into music the mixing of different cultures, both musical and otherwise.
As a debut it is very positive, to be listened to and enjoyed as an antidote to defeats, and it is proof of how a group of friends in a relatively short time since their formation can produce a well-composed and well-played record, all without being professionals, and this is a very important message.